Ariel Posen on Finding His Voice and Building a Signature Slide Tone
PodcastFrom Sideman to Solo Artist
For more than a decade, Ariel Posen lived on the road as a sideman — playing for artists, supporting tours, and learning how music works from the back of the stage. But everything shifted when he moved to Ireland. A midnight jam session introduced him to a new community, and suddenly he was back onstage playing only as himself.
That moment cracked something open. After years of being the musical chameleon who adapts to everyone else’s sound, Ariel rediscovered the thrill of making choices purely from his own voice. Touring slowed down, but his identity sharpened.
The Turning Point
Ariel began booking his own gigs again, writing more, and leaning on friends for support while learning how to release music, build a campaign, and navigate the industry. He shared:
“I forgot what it’s like to just be me onstage.”
That shift from sideman to artist set the foundation for everything that came next — including the slide language he’s now known for and the creation of his new signature Fender.
The Signature Guitar: Built for Expression
Ariel spent about two and a half years refining his signature model with Fender. Instead of tech jargon, here’s the simple picture of what they built together:
- A P-90 pickup in the bridge for a thick, punchy voice
- A Jazzmaster-style pickup in the neck for a warmer, open tone
- A hardtail bridge for tuning stability and richer resonance
- A custom neck shape he already trusted from older instruments
- No treble-bleed circuit so the volume knob swells feel smooth and musical
- A setup that works beautifully for slide without losing fingerstyle comfort
It’s a guitar built the same way he rebuilt his career — intentionally, patiently, and from the inside out.
The Five Levels of Slide
Across the episode, Ariel walks Spencer through the “five levels” of slide guitar — from right-hand muting to vibrato control to the illusion-like “behind the slide” pedal-steel moves.
What stands out most is how personal his approach is. Slide, for Ariel, isn’t a trick. It’s a way of speaking.
He focuses on:
- Hearing pitch instead of watching frets
- Playing fewer attacks so lines feel like a human voice
- Using harmony and chord tones to shape phrases
- Treating the slide as a color, not a cage
- Switching fluidly between slide and fingerstyle to stay expressive
Ariel doesn’t present slide as a genre. He treats it as an extension of who he is.
A Closing Note
The entire conversation fits right into what we value at Sonora — musicians building their identity through community, intention, and the courage to sound like themselves. Ariel’s journey reminds us that your voice arrives when you give it room to breathe.
